Category Archives: livecoding

Shared buffer

Here’s another collaboration I haven’t had time to blog about, Shared Buffer. It has so far been with David Ogborn of the Cybernetic Orchestra in Hamilton, Eldad Tsabary of Concordia Laptop Orchestra in Concordia (and both a lot more besides). Our idea of a Shared Buffer, only partly realised so far, is to explore collaborative editing of the same code. Building on a history of network music, we want to see how far we can push the practicalities of co-editing the same piece of code. We expect to perform from different continents via networks, although this is primarily an issue of geographic practicality more than anything!

All the concrete R&D + tech has largely been by David so far, but now we have some nice medium term aims for working together integrating his ESPGrid timing system and developing some of my  ideas around visuo-spatial language. We also plan to expand the collaboration, happily esteemed composer and live coder Alexandra Cardenas has agreed to join.

We’ve so far performed at the TransX transmission art symposium in Toronto, with our next gig at the Network Music Festival in Birmingham UK (where I’ll also be playing an algorave set with Matthew Yee-King as Canute).

Sonic Pattern and the Textility of Code

Really excited to be involved with this dream event in London next month:

Sonic Pattern and the Textility of Code

11am to 6pm, 13th May 2014
Limewharf, Vyner St, London E2 9DJ
£20/£15
https://www.eventbrite.co.uk/e/sonic-pattern-and-the-textility-of-code-tickets-11330352389

An event that brings together diverse viewpoints on weaving, knitting, live coding, dyadic mathematics, generative music and digital making, in order to see how patterned sound and threads allow us to both sense the abstract and conceptualise the tactile. We will look for a rich view of technology as a meeting point of craft, culture and live experience.

The invited speakers will explore aspects of making, process, language, material and output in the relation to their own practice and related contexts.

The discussion will be lead by Bronac Ferran, Janis Jefferies, and David Toop, and practitioners include Alessandro Altavilla, Sarah Angliss, Felicity Ford, Berit Greinke, Ellen Harlizius-Klück, Alex McLean and Becky Stewart.

There will be audio-visual interludes through the day, including a screening of Ismini Samanidou and Scanner’s film Weave Waves, commissioned for the Sound Matters exhibition in 2013 by Craft Council, and a short performance by Felicity Ford.

The event will close with a live music performance from Leafcutter John, Matthew Yee-King and Alex McLean, exploring code, pattern and sound.

Curated by Karen Gaskill, Crafts Council

A collaboration between the Craft Council, ICSRiM (School of Music, University of Leeds), the Thursday Club (Goldsmiths), V&A Digital Futures and the Live Coding Research Network.

Made possible through funding and support by the Craft Council, Sound and Music, the Arts and Humanities Research Council and the Centre for Creative Collaboration.

Experimentallabor residency

I’m on the way to take part in a short residency in Dusseldorf, hosted by Julian Rohrhuber at the Robert Schumann School:

Fifth Experimentallabor Residency: Penelope’s Loom – Coding threads in antiquity, live notation and textile inspired programming languages
Structure can be result and origin of a dynamic process at the same time – a thought that is common to weaving, mathematics and music. Today, as programming has become a practice that is closer to improvisation than to machine control, this commonality becomes increasingly interesting for the arts. It is along these lines, in the fifth Experimentallabor Residency, that Ellen Harlizius-Klück, Alex McLean, and Dave Griffiths will rethink programming languages in the arts in conjunction with the history of weaving.
Introduction: Wed Feb 5 2014, 17:30, IMM Experimentallabor

Lots more events coming up, full list here.