I’ve had an inspiring time lately, including at FARM, SNEL HEST, and most recently a week’s residency with some really marvellous people at Digital Media Labs in Octopus, Barrow. So despite being tired I really enjoyed streaming a live coded improv to a metarave/megarave event Wallriss in Switzerland, making the above recording for posterity. I found myself settling into familiar territory at times though, I need to add more features to Tidal!
A lot more events coming up, too…
I wrote a bit of code in the excellent Gibber browser-based a/v live coding system while thinking about weaving in preparation for the Weaving Codes, Coding Weaves project which starts next week. You can play around with the code here, It needs a modern browser, such as as chromium or chrome (firefox might also work).
The block design on the left is the weaving notation for the meander pattern on the right shown above (and in my gibber code). This particular pattern is used by Ellen Harlizius-Klück to demonstrate the mathematical thinking involved in the construction of ancient weaves.
Dave Griffiths has been doing some freaky weaving software too.. Really looking forward to collaborating with Ellen, Dave and the rest of the team on this project over the next 18 months, including doing a lot of weaving with actual threads and looms.
Here’s an edit of a live coded improv I did at dotdotdot, the second edition of a monthly party organised by the venerable and much respected onedotzero.
Another collaboration that has blossomed this year is Canute, with Matthew Yee-King. I’ve always been a big fan of Matthew’s spasmodic live coding and frenetic drumming, and got to play together occasionally.. But now we’re living in different cities it seemed like a bad opportunity to start playing together more regularly. We share an interest both in free jazz improv and old school techno and the hardcore continuum, and I think managed to bring these together nicely. We’ve had some great shows already including at algoraves in Amsterdam and in Corsica Studios, where we got an encore from a sweaty crowd so something must be going right. We just put up a quick website with a little bit of info and upcoming gigs.
Here’s another collaboration I haven’t had time to blog about, Shared Buffer. It has so far been with David Ogborn of the Cybernetic Orchestra in Hamilton, Eldad Tsabary of Concordia Laptop Orchestra in Concordia (and both a lot more besides). Our idea of a Shared Buffer, only partly realised so far, is to explore collaborative editing of the same code. Building on a history of network music, we want to see how far we can push the practicalities of co-editing the same piece of code. We expect to perform from different continents via networks, although this is primarily an issue of geographic practicality more than anything!
All the concrete R&D + tech has largely been by David so far, but now we have some nice medium term aims for working together integrating his ESPGrid timing system and developing some of my ideas around visuo-spatial language. We also plan to expand the collaboration, happily esteemed composer and live coder Alexandra Cardenas has agreed to join.
We’ve so far performed at the TransX transmission art symposium in Toronto, with our next gig at the Network Music Festival in Birmingham UK (where I’ll also be playing an algorave set with Matthew Yee-King as Canute).
I recently started collaborating with Adam Denton of Trans/Human, who has been helping make algoraves happen in Newcastle and Sheffield. Sharing an interest in undoing of technology, we’ve assumed the name “Lud”. Here’s some video from our first collaboration at the Sheffield Algorave:
Alex Keegan of Blood Sport (check this video) seemed to enjoy our improv and now we’re supporting them and the incredible Nissenenmondai at Tramlines festival in the millennium galleries in Sheffield this Sunday, at around 7pm. Always good to play on a big PA in my home town! Facebook event here.
It’s been a really great month, going back to Goldsmiths for the astounding NIME, including fine memories playing to a great crowd with Matthew Yee-King as Canute at Corsica Studios (including an encore), then enjoying the fine Brighton Algorave as a (slightly tired) punter, then the excellent discussions at the Live Coding and the Body symposium, and joining fantastic live coders for massively fun algoraves in Sheffield and Manchester.
Most recently though was the 24 hour Access Space Digithon. Last Saturday we spent all day and all night hosting performances in Access Space and remotely around the world (Ontario, New York, Mexico City, Minneapolis, Germany, Italy, plus Birmingham, Cardiff, and London). It was an intense 24 hours (ashamedly I stayed awake only for around the first 22 hours), but really rewarding, and we made over £1500 towards the Access Space.
Access Space is a really great community free media lab, which a helps lot of people who have highly challenging backgrounds and problems. They are the longest running lab of its kind in the UK, and are in need of funds to help stay open and expand their programme. If you have some spare cash, please donate – they have very low overheads and do great work.
This was 24 hours of many highlights, but here’s a few of them that you can enjoy in return for your donation:
Well it was all good, go and check the full listing. And please donate :) We’ll leave the free gifts up for a couple of days longer, so you could get yourself an algorave tshirt or stickers in return…
I’m really happy that the International Conference Live Interfaces (icli) is continuing as a biannual event, the next one in Lisbon, Portugal. This year is titled INTER-FACE and chaired by Adriana Sa. The call for papers and performances is open now, submit your papers by 18th August 2014.
A quick algorave track for you:
I’ve been putting extra effort into the janitorial task of community building over the last couple of years.. For example chairing the first “Live Interfaces” conference, and the 2nd FARM workshop, co-organising the Dagstuhl workshop on live coding, co-editing special issues, getting funding, organising events and establishing a presence for the live coding research network and TOPLAP, and helping make space for algorithmic dance music culture to grow and spread and maybe someday free discussion to flourish.
I love this stuff, but it’s been a distraction from what I probably “should” have been doing — writing my back catalogue of theses and papers up into journal articles, and establishing next steps, as a basis for my next fellowship application. I haven’t directly benefited from a lot of this work, being unsure about the morals of submitting to your own journals and programming yourself into your own academic conferences. It has been massively rewarding though, and I’ve tended to dislike career mindedness, and avoided thinking about measurement and end-points, rather than the substance of the journey.
I’ve been far from alone in all of this, and these activities have grown their own life. Live coding communities are popping up everywhere, the 2nd Live Interfaces conference is being taken in a new direction by Adriana Sa in sunny Lisbon, and Algorave has gone crazy. Now that this exists, and my postdoc fellowship is coming to an end, it’s probably time to think more locally.
So I’m really happy to be starting the Weaving Codes, Coding Weaves project, stepping into a new direction with really inspiring collaborators. I’ll be working on that three days a week (it says here), which does leave me some time for other things, but I’ll be focussing more on local activities around Yorkshire, especially my home town of Sheffield. There’s still four or so more live coding research network events to collaborate on, including a conference which I hope will be really fun, but after that I think I’ll have paid my dues, and will be trying to explore some of the space we’ve created.
Just a shift in focus though, nothing major.. Maybe a reminder-to-self to carry on making things.